Thirty-two tiny punches and a big stab! In a shortened episode (because they’ve moved the Power Rangers review to a separate special, admin fans), Nick and Alastair quickly cover some classic material, with H.P. Lovecraft’s The Call of Cthulhu and Wes Anderson’s The Darjeeling Limited.
Then it’s into less-than-classic territory with Marvel’s latest Netflix/Defenders series Iron Fist (7:01), before recovering with excellent comedy-horror liberal nightmare movie Get Out (23:52).
Lastly, what did Alastair think of Crazy Ex-Girlfriend (35:13)? Is it good for anyone, or did Nick’s love of comedy music blind him to the truth?
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The big three-one! Moving into the thirties with good range, as Nick and Alastair start with brief chat about the poetry of Kate Tempest and Archie-murder series Riverdale. Then it’s on to new movie Elle (9:19) which, for anyone sensitive about such content, means talking a fair bit about the film’s handling of rape.
If you’d rather not listen, you can skip to 25:44 and the album English Tapas by Sleaford Mods, a band Nick hadn’t previously heard. Lastly, Alastair’s recommendation: Heat (38:46), a 1995 crime epic with Al Pacino and Robert De Niro.
Episode thirty! We’re old, but not as old as Wolverine! Logan goes full grizzled in his new movie, and Nick and Alastair celebrate by releasing an off-schedule special, and bringing on writer, occasional stand-up comedian and X-Men fan Chris Brosnahan to help deal with the dystopian misery of it all. But first, an epic recommendations three-way, taking in The Love Witch, American Horror Story, Spider-Man: The Clone Conspiracy, Jerusalem by Alan Moore and Twin Peaks. Runs longer than usual, mostly because Chris makes the mistake of getting Nick started about Spider-Man clones.
But we eventually start on our main feature: spoiler-free Logan chat at 18:40, followed by the full-fat ruinous stuff from 27:52 onwards. Is it good? In a superhero way or a proper film way? Do we know what a fight is really like? Which actor surprised us with his strong performance? Which Marvel hero did incest in the original Old Man Logan comics? All this and more! If you enjoy Chris’s appearance here, you can 
Twenty nine episodes in a year! Yes, it’s Moderate Fantasy Violence’s first birthday, so Nick and Alastair allow themselves some indulgent ‘Look How Far We’ve Come!’ talk before brief recommendations of NASA movie Hidden Figures and Native American noir comic Scalped.
Alice Lowe’s pregnancy revenge thriller Prevenge (8:40), hot new urban fantasy/wizard fantasy crossover comic Curse Words (20:15) by Charles Soule and Ryan Browne, the new series of BBC horror anthology Inside No. 9 (32:13) and Nick’s recommendation from last episode: the excellent (and prematurely concluded) crime comic Fell (48:54) by Warren Ellis and Ben Templesmith.
Twenty-eight episodes, just like there are days in February! This time, Nick and Alastair both read actual books – specifically Angelmaker by Nick Harkaway and Maus by Art Spiegelman – and one probably had a cheerier time than the other.
In other franchise-sequel news, it’s time for T2 Trainspotting (20:41) (and for Nick to watch the original movie). Can these Scottish heroin addicts anchor a franchise with as much panache as Batman? Sticking with superheroes and tripping out, next it’s time to try X-Men-adjacent TV show Legion (36:09).
Finally, Alastair recommended Nick the Danish surreal-horror show The Kingdom (48:08). Did he like it? Will he include clips of its amazing theme tune in the show? (Yes.)
Twenty seven episodes, right here in twenty-seventeen! It starts in respectable territory, as Nick read lost-classic adult-comic Miracleman by Alan Moore (credited as “The Original Writer”, because that’s how the guy rolls), Gary Leach, Alan Davis and co, while Alastair followed the Oscar nominations with interest. Such interest, in fact, that we stop for a longer chat about them (5:16).
It’s a smooth transition from there to a full review of hot Oscar favourite La La Land (12:06), and then on to the new Netflix adaptation of Lemony Snicket’s A Series Of Unfortunate Events (26:12), a show with a 
Thirdly, and a small jump away from the rest, we’ve heard 11 Short Stories Of Pain & Glory (38:54), the new album from the Dropkick Murphys. Is it too screamy for Nick, or can he withstand it?
Episode twenty-six in the Moderate Fantasy Violence house! Unusually, Nick has read a book (namely The Bone Clocks by David Mitchell), while Alastair stares at the new Dirk Gently show on Netflix.
Meanwhile, in this award-movie season, two trips to the movies this fortnight: first, Team MFV saw Silence (5:59), a new serious historical movie about priests from Martin Scorsese, and then A Monster Calls (21:03), an adaptation of the YA novel by Patrick Ness.
Then back to Sherlock (31:55) for the second episode running – perhaps the last one ever – for a chat about the final two episodes of series four.
Twenty-fifth podcast – would be a giant-sized special if this were a 90s comic! (Yes, Nick writes these blurbs, how did you guess?) Nick and Alastair are back from the holiday season to talk about things they’ve seen on their travels, such as Revolting Rhymes, The Eagle Huntress and Inside Number Nine!
Whereas we’re a bit more sparing with the spoils in our talk about The OA (21:36), a strange new Netflix sci-fi mystery – detail-free thoughts for a while, finally plunging into total ending details at 34:31. Here’s 
Then back to Moffatland for the Doctor Who Christmas special (44:15) – fortunately, we’re releasing this on the twelfth day of Christmas so narrowly avoid suffering a curse.
Twenty-three podcasts, just in time for the twenty-fifth of December! It’s nearly Christmas, and to celebrate, Nick and Alastair have seen An Inspector Calls and the Supergirl/Flash/Arrow/Legends of Tomorrow crossover. Neither of which are particularly festive. Oh well.
Next up, a rare MFV complete disagreement as both our heroes have seen Amazon’s Philip K. Dick adaptation The Man In The High Castle (22:48), but only one of them likes it much. Which host is the Nazi sympathiser? You’ll have to listen to find out. We’re also taking a look at Nate Parker’s new film The Birth Of A Nation (42:04), chronicling the 1831 slave rebellion of Nat Turner.
Then we reach a seasonal feature at last, as Nick finally watches Die Hard (53:10). Some say it’s the best Christmas movie ever. Does he agree? Is it even a Christmas movie at all? Rest assured, this will be discussed.
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