high-riseIt’s time for a no-superheroes episode! Eschewing all cultural trends, Nick and Alastair take a look at social satire movie High Rise at the 1:32 point (plus the difficulty of adapting books and vertical living returning to London), new podcast Alice Isn’t Dead at 18:29 (plus methods of audio advertising and whether this very show has a secret purpose) and the latest Coen brothers comedy Hail, Ceasar! at 33:04 (plus the life and death of old movie genres).

Lastly, in our stubbornly unnamed recommendations feature at 46:27, Alastair reads his first comic in years: The Manhattan Projects by Jonathan Hickman & Nick Pitarra. Is this the beginning of a deep love for graphic storytelling as a medium? Or is it… The End?

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constantineCut from the R-rated superhero movie discussion in Moderate Fantasy Violence #2, Nick and Alastair discuss whether John Constantine (whose name we regularly mispronounce) is the ideal candidate for this trend.

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better-call-saulIn a not-that-difficult second episode, Nick and Alastair look at the return of Better Call Saul at the 1:20 mark (plus Gotham’s prequel problems and the terrible omen of Bryan Cranston), the upcoming DC Comics Rebirth at 16:12 (plus how superhero comics are morphing into Doctor Who and the recent Iron Fist casting controversy) and the possibility of more adult-rated superhero movies after the success of Deadpool at 32:44 (plus eternal hope for sexy Gambit and Wolverine’s stabby vendetta against walls and robots).

Returning for a second week at 45:50, it’s our still-nameless recommendations feature! Nick reports back on quietly squelchy crime series Messiah II, then recommends Alastair his first comic book in years. What will it be?

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Get it on iTunes here! (And consider subscribing or reviewing us if you like it!)

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elloIn our first ever Excessive Fantasy Violence deleted-scenes special, Nick and Alastair get sidetracked during their chat about recent Twitter changes, ending up reviewing Ello and Google+. Talk about up-to-the-minute content.

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deadpoolIn their first Moderate Fantasy Episode, Nick and Alastair discuss the new Deadpool movie at the 1:40 mark (plus the importance of humour in superhero movies and which Deadpool comics are terrible), the #RIPTwitter algorithmic timeline kerfuffle at 19:50 (plus the inevitability of Vine porn and if anything good will ever happen to anyone) and their verdict on Netflix’s Making A Murderer at 35:20 (plus the omnipresent evil of John Luther and whether true crime documentaries are the same as gladiatorial combat).

Our as-yet-unnamed recommendations feature shows up at 47:48 and waves.

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Get it on iTunes here! (And review and subscribe if you’re so inclined.)

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Another year is drawing to a close and it’s time to reflect on what kind of year it has been. In the cinema, it has been a good year for sci-fi films, with Jurassic World breaking the record for fastest film to gross a billion dollars in June and then Star Wars shattering that record in December. The Sci-fi London film festival also introduced me to several interesting new indie sci-fi films and short films; you can read my summary of the latter here.

As with 2013 and 2014, 2015 was dominated by superhero films. Marvel released its usual two blockbusters in the spring and summer. First up was their crossover film Avengers: The Age of Ultron, which combined many great characters, had a charismatic villain and amazing special effects, but failed to come together as a complete narrative. The character development was bitty, spread too thin between too many characters, and at some points just plain dull. We did not need a whole sequence dedicated to Hawkeye’s domestic situation.

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