Twenty nine episodes in a year! Yes, it’s Moderate Fantasy Violence’s first birthday, so Nick and Alastair allow themselves some indulgent ‘Look How Far We’ve Come!’ talk before brief recommendations of NASA movie Hidden Figures and Native American noir comic Scalped.
Then we do full-length talk-downs of 
Alice Lowe’s pregnancy revenge thriller Prevenge (8:40), hot new urban fantasy/wizard fantasy crossover comic Curse Words (20:15) by Charles Soule and Ryan Browne, the new series of BBC horror anthology Inside No. 9 (32:13) and Nick’s recommendation from last episode: the excellent (and prematurely concluded) crime comic Fell (48:54) by Warren Ellis and Ben Templesmith.
Download the podcast directly in mp3 here!
Listen on YouTube over a static image here!
Subscribe on iTunes! Reviews welcome!
Twenty-eight episodes, just like there are days in February! This time, Nick and Alastair both read actual books – specifically Angelmaker by Nick Harkaway and Maus by Art Spiegelman – and one probably had a cheerier time than the other.
In other franchise-sequel news, it’s time for T2 Trainspotting (20:41) (and for Nick to watch the original movie). Can these Scottish heroin addicts anchor a franchise with as much panache as Batman? Sticking with superheroes and tripping out, next it’s time to try X-Men-adjacent TV show Legion (36:09).
Finally, Alastair recommended Nick the Danish surreal-horror show The Kingdom (48:08). Did he like it? Will he include clips of its amazing theme tune in the show? (Yes.)
Twenty seven episodes, right here in twenty-seventeen! It starts in respectable territory, as Nick read lost-classic adult-comic Miracleman by Alan Moore (credited as “The Original Writer”, because that’s how the guy rolls), Gary Leach, Alan Davis and co, while Alastair followed the Oscar nominations with interest. Such interest, in fact, that we stop for a longer chat about them (5:16).
It’s a smooth transition from there to a full review of hot Oscar favourite La La Land (12:06), and then on to the new Netflix adaptation of Lemony Snicket’s A Series Of Unfortunate Events (26:12), a show with a 
Thirdly, and a small jump away from the rest, we’ve heard 11 Short Stories Of Pain & Glory (38:54), the new album from the Dropkick Murphys. Is it too screamy for Nick, or can he withstand it?
Episode twenty-six in the Moderate Fantasy Violence house! Unusually, Nick has read a book (namely The Bone Clocks by David Mitchell), while Alastair stares at the new Dirk Gently show on Netflix.
Meanwhile, in this award-movie season, two trips to the movies this fortnight: first, Team MFV saw Silence (5:59), a new serious historical movie about priests from Martin Scorsese, and then A Monster Calls (21:03), an adaptation of the YA novel by Patrick Ness.
Then back to Sherlock (31:55) for the second episode running – perhaps the last one ever – for a chat about the final two episodes of series four.
Twenty-fifth podcast – would be a giant-sized special if this were a 90s comic! (Yes, Nick writes these blurbs, how did you guess?) Nick and Alastair are back from the holiday season to talk about things they’ve seen on their travels, such as Revolting Rhymes, The Eagle Huntress and Inside Number Nine!
Whereas we’re a bit more sparing with the spoils in our talk about The OA (21:36), a strange new Netflix sci-fi mystery – detail-free thoughts for a while, finally plunging into total ending details at 34:31. Here’s 
Then back to Moffatland for the Doctor Who Christmas special (44:15) – fortunately, we’re releasing this on the twelfth day of Christmas so narrowly avoid suffering a curse.
Twenty-three podcasts, just in time for the twenty-fifth of December! It’s nearly Christmas, and to celebrate, Nick and Alastair have seen An Inspector Calls and the Supergirl/Flash/Arrow/Legends of Tomorrow crossover. Neither of which are particularly festive. Oh well.
Next up, a rare MFV complete disagreement as both our heroes have seen Amazon’s Philip K. Dick adaptation The Man In The High Castle (22:48), but only one of them likes it much. Which host is the Nazi sympathiser? You’ll have to listen to find out. We’re also taking a look at Nate Parker’s new film The Birth Of A Nation (42:04), chronicling the 1831 slave rebellion of Nat Turner.
Then we reach a seasonal feature at last, as Nick finally watches Die Hard (53:10). Some say it’s the best Christmas movie ever. Does he agree? Is it even a Christmas movie at all? Rest assured, this will be discussed.
Twenty-two episodes of our podcast and somehow 2016 is still going! This fortnight, both of us went on London outings, Nick to the SMASH comics-chat event run by the 
Next, because we love Doctor Who and related media, we revisit teen-focused spin-off Class (37:18) now the first series is over, to see how it ended up. And yes, to justify covering it a second time, we’ll need to include some extreme spoilers. Also Nick complaining a lot about the Shadow Kin.
Finally, Alastair recommends Taxi Driver (54:59) directed by Martin Scorsese and starring Robert De Niro, a classic of modern cinema that Nick, unsurprisingly, has never seen.
Episode twenty-one! The podcast comes of age everywhere, just in time for the world to basically collapse. Alastair matches the mood with Hypernormalisation, a new documentary from Adam Curtis 
Forcing ourselves into the present day, we take on Fantastic Beasts And Where To Find Them (6:45), a new film set in the past of the Harry Potter universe. To help us get to grips with this, we bring in blogger, booktuber and Potter-lover Claire Rousseau, last seen 
If you enjoy Claire’s appearance here, you can get more from her at 
Episode twenty! Another numerical milestone, and one recorded before the recent American electoral news, so no mention of that here. However, we do have intro talk of Flash, Arrow, Legends of Tomorrow and The Walking Dead from Nick, until Alastair raises the tone with indie film London Overground.
Meanwhile, in cinemas, we’ve got a review of Arrival (40:05), the new scifi/semantics movie starring Jeremy Renner and Amy Adams trying to speak to aliens, and then Lo And Behold: Reveries of the Connected World (53:26), a new documentary from Werner Herzog offering a slightly more uplifting view of technology than Black Mirror.
Recent Comments