This fortnight, after not one but two previous failed attempts, Nick and Alastair finally review Legion season 2!

But first, they talk about their recent consumption, such as Nick reading The Unwritten, a meta-fantasy-conspiracy comic by Mike Carey and Peter Gross, or Alastair watching Who Is America?, the new ambush-satire show starring Sacha Baron Cohen.

And then they finally get stuck into the Legion season two chat (9:18), including full and total spoilers for the whole thing and a content warning about one story point. Will it be worth the months-long wait?

Once that’s done, Nick and Alastair ask aquestion that… honestly has even wider relevance than Nick realised when he thought of it: How far can you twist your audience before they snap? (31:11)

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Nick and Alastair return to the mean streets of the Netflix-Marvel Defenderverse this episode, as they stride into Luke Cage season 2.

But first, Nick’s talking about The Handmaid’s Tale season 2 moving beyond the Margaret Atwood novel, while Alastair cheats on his own pop culture podcast with Slate’s Decoder Ring.

And then it’s time to head back into Harlem, as Nick and Alastair tackle Luke Cage (8:50) for the first time, ready to find out if they’ve finally picked up the pace. No real spoilers for this season but some discussion of major events in Defenders and the previous run of Cage.

Our related question looks at the memorable sense of place in this show, with the eternal dilemma: Can you take Luke Cage out of Harlem? (26:35)

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This fortnight, it’s the comics podcast of Nick’s dreams, as MFV covers the latest Hulk and Superman relaunches from Marvel and DC respectively!

But first, other recent consumption includes Nick watching Marvel’s Runaways TV show (so yes, on-brand), and Alastair heading briefly out of comics-land to watch Jurassic World: Fallen Kingdom.

And then they head into the world of fictional strong blokes, to read the unsettling The Immortal Hulk #1 (6:52) by Al Ewing and Joe Bennett, followed by the uplifting Man of Steel #1 (15:48) by Brian Michael Bendis and Ivan Reis and Jay Fabok, showing us two very different ways of reimagining guys with abs.

And after that, after the success of last episode’s Marvel/Star Wars debate, it’s time to ask what these two comics can tell us about the forever-ongoing Marvel vs DC rivalry. (25:15)

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This fortnight, one more swing into the big franchises with solo Star Wars move Solo: A Star Wars Story!

But before that, Nick and Alastair examine their recent consumption, including crime comic 4 Kids Walk Into A Bank and the esoteric music of Public Service Broadcasting.

That done, it’s time for the real business of the day as Nick and Alastair review Solo: A Star Wars Story (7:08), trying their best to stay focused on the contents of the film rather than just whether it needs to exist.

And then it’s on to this week’s related debate point, indulging the geekery a little more than usual: Marvel vs Star Wars! (21:02)

You may not be surprised which pod-host is representing each side.

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Way back in Moderate Fantasy Violence #1, Nick and Alastair covered a little film called Deadpool. And they’ve kept this up for so long that, yes, it’s time for the sequel!

But first of all – as briefly mentioned last time, their guest appearance on the And Then What? podcast is now up! Listen to Alastair talk about politics and film, Nick talk about weird crime and lovely hosts Amy & Becky dig into the drugs-and-organ-transplanting underworld. This was great fun to record and you should definitely check it out.

But back in the regular recommendations feature, Alastair’s seen Entebbe, a film that may or may not resemble Zero Dark Thirty, whereas Nick’s listening to The Weezer Bracket, a new podcast trying to find the worst Weezer song through a whole 64-item tournament bracket. There’s a lot of choice there.

And then they get into reviewing Deadpool 2 (11:04) – can it live up to the widely beloved original?

Last but not least, this week’s ultimate question – Are they any unmade sequels we’d like to actually see? (28:13)

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At long last, the one you’ve (okay, we’ve) (okay, Nick’s) been waiting for – Avengers: Infinity War!

But first, it’s an instructive double-bill of other recommendations: Nick’s read Why I’m No Longer Talking To White People About Race by Reni Eddo-Lodge and Alastair’s seen new Gaiman adaptation movie How To Talk To Girls At Parties.

And then, at long last, the main event – Avengers: Infinity War with full spoilers! (8:06) Can it ever live up to the sheer length of the cast list?

Not to mention our related point: How standalone must a film be to count as a real film? (28:16)

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It’s oh-so-still this fortnight, as Nick and Alastair cover A Quiet Place, the hit horror film in which nobody can hear you scream, because you can’t even speak.

But first, Alastair’s been watching The City & The City, the new BBC adaptation of a China Mieville book, while Nick’s seem the first episode of his beloved surreal superhero show Legion.

(And yes, the original plan was to cover Legion as this fortnight’s main review, but it turns out, that too was surreal misdirection.)

And then it’s time to review A Quiet Place (7:02), with moderate plot discussion throughout and a few (carefully labelled) hardcore ending spoilers from 22:13.

Until 28:23, where this fortnight’s question is asked: How much do plot nitpicks really matter?

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This fortnight, Alastair hits one of his most anticipated  releases of the year: Wes Anderson’s new cinematic canine cartoon Isle of Dogs!

Alongside that, in the brief intro, he’s also seen hot new Netflix scifi epic Annihilation, whereas Nick is the one person on Earth still watching Marvel’s Agents of SHIELD.

And then it’s time for the dog show, as Alastair talks about how Isle of Dogs (9:15) fits into the Wes Anderson canon and Nick (who’s never seen a Wes Anderson film) also saw it and had thoughts.

And then Team MFV dive back into our childhoods, with this week’s big, broad question: Can any new talking animal film ever compare to The Jungle Book? (23:20) Or, really, whatever your favourite big nostalgic animated classic is.

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In a highly anticipated episode (by Nick and Alastair anyway), they review season two of Marvel’s Jessica Jones, the hard-boiled super-powered noir Netflix show starring Krysten Ritter.

But first, Alastair has seen Hamilton and would like you to believe he’s mentioning it for reasons other than gloating. (As ever, Nick writes these notes.) The author himself, meanwhile, has been listening to the Buffering the Vampire Slayer podcast.

That done, they move on to Jessica Jones season 2 (10:31) with full spoilers after a quick early summary, throwing up a lot of questions about what the writers are trying to achieve, how much they succeed in any of it and whether it’s finally time for them to just take Nick’s oft-repeated suggestion and make the damn seasons shorter.

That done, Nick and Alastair investigate this week’s somewhat-related question: what makes a good difficult second album? (28:53) In which Nick refers to Heroes as a “recent” TV show and has now realised he is old.

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Now that the first season of Star Trek: Discovery is over, Nick and Alastair check back in to see how the much-hyped scifi comeback maintained its dead serious premium tones.

But first, Nick’s relived the raw excitement of his teenage years with The End of the F***ing World on Netflix, while Alastair continues ticking off the Oscar movies with I, Tonya. (Which, predictably, leads to a few minutes of more general Oscar post-game chat.)

After which, time to launch at warp speed into Star Trek: Discovery (9:55), with spoilers all the way to the very last shot of the finale. How have things changed since Nick and Alastair last flew with them in MFV #48?

And finally, in a very uncontroversial and unloaded discussion, inspired by one specific line from Discovery, they ask: How subtle should allusions to real life politics in sci-fi/fantasy be? (28:49)

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